Monthly Archives: April 2014

Which Is Scarier?

Posted on 29/04/2014 by Kirsten Luckins

I’m still meeting myself coming back after last week, my lovelies! I did two things that seemed designed to push my comfort zone, all in the name of getting this show on the road. Firstly, I spent four days at … Continue reading →

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Kirsten And Sasha Have This Show…

Posted on 20/04/2014 by Kirsten Luckins

So there is Kirsten here-now and Kirsten there-then. For simplicity, let’s call the latter ‘Sasha’ – and you’ll have to see the show to find out why. Because the source materials for the show were my own travel journals, sometimes … Continue reading →

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Journey Of A Thousand Miles

Posted on 17/04/2014 by Kirsten Luckins

Two weeks today until the opening night! Which means, two weeks today until the first of the creative writing workshops I’ll be delivering to go alongside the show. Keeping with the Buddh-ish flavour of ‘The Moon Cannot Be Stolen’ (it’s … Continue reading →

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The Moon Over Hexham

Posted on 15/04/2014 by Kirsten Luckins

How fantastic is this? The lovely Simon Haworth from Queen’s Hall, Hexham has been out taking photos of the moon. If you’d like to see the show in Hexham on 27 May, here’s the booking link http://www.queenshall.co.uk/whats-on/seasons-diary/868 And if you’d like … Continue reading →

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The Chatter In The Ladies…

Posted on 09/04/2014 by Kirsten Luckins

…said “that was amazing“. Lucky for me that my friend was in there undercover to report back to me, as my nerves on performing the newly developed show for the first time in London on Sunday were so strong that I had … Continue reading →

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Alnwick Moon Landing

Posted on 04/04/2014 by Kirsten Luckins

I wish I could tell you we drove home from Alnwick last night under a moon like a ghostly galleon. In truth the fog swallowed so much of the world that it seemed as though we were stationery on one … Continue reading →

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Divided By The Lens

Posted on 01/04/2014 by Kirsten Luckins

At the moment I’m going through my album of photos from India, scanning them for use as projections in the show. Back in 1996 I had a fairly rubbish Kodak automatic, a classic family holiday snap-happy camera. And I had … Continue reading →

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